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一脚定江山可怜虫菲尔·韦斯顿(威尔·法莱尔饰)与世界上任何一个正在养育着10岁儿子的老爸没什么区别，对生活已经失去雄心抱负的他做梦都想过上那种最平凡的生活：事业方面不必太出众，能养活老婆孩子即可；闲暇之时还能搞个家庭野餐什么的……这些都是他心目中“最幸福的事”，可是有了像巴克(罗伯特·杜瓦尔饰)这样的父亲，菲尔这一辈子没一天能够悠闲地消停一下。巴克天生竞争欲就极其旺盛，而且只有在遇到菲尔时才会擦出火花，什么都要和菲尔一争高下，弄得菲尔鸡飞狗跳，甚至发誓如果下辈子还要和巴克做父子，他宁可放弃做人。在自己的小儿子山姆(迪伦·迈克拉林饰)的恳求下，菲尔决定执教儿子学校的足球队“猛虎队”，备战“小小”冠军联赛。“猛虎队”历来都是一支垫底球队，所以菲尔并没有什么太大的压力，他认为只要是比赛就会有输有赢，能够从中获得乐趣才是最重要的。然而，这个理论在巴克那里是行不通的，他正好是联赛冠军“勇士队”的教练，菲尔的到来再次激起了他求胜的迫切欲望……被巴克几近逼疯的菲尔也抓狂了，他找来世界最著名的教练迈克·迪克塔当助理，还跨国从意大利“空投”过来两名天才小球员--这都是“猛虎队”出赛时的秘密武器。菲尔带领着小球员一路过五关斩六将，终于杀进决赛与“勇士队”争夺冠军。一场好好的足球赛，因为比赛双方教练的特殊关系，开始变得不那么光明正大，两人除了在赛场上较劲外，还偷偷挖掘对方的一切弱点，甚至不惜使阴招……所谓“物极必反”自然有它的道理，两个人在一些过于极端的竞争中，竟然重新找回了那种属于父子之间正常的情感交流。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。四岁小儿对母亲说，长大了我要做女孩。母亲起初当他闹着玩，但他用行动和决心说服了她：性别认同意识不可等闲视之，而是生死大事。性别不再依生物基因决定，人定固可胜天，政治正确更是王道。从不得不面对异数的母亲披露心声开始，到医生与心理辅导角度、当事人与友人的交流、努力争取穿裙子上学跳芭蕾等，处处透视争取接纳、化民易俗的艰辛，并不输于任何硬仗。镜头捕捉一家人并肩面对各种变性挑战的苦与乐，如人饮水，观众竟可感应冷暖而知。。