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清晨，阳光透过窗帘洒在雪白的床单上，凌乱的被单里，沈伟与桐欣相拥而眠，慢慢睁开眼睛，两人同时惊醒，对方是谁？昨晚喝醉的两人根本不记得到发生什么，分道扬镳之后却阴差阳错再次走到一起。闯了祸的两人，必须共同面对接踵而来的奇人和怪事，重新找回爱的感觉。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。